Prabhupada worked with his old manual typewriter at his rented workroom at Chippiwada in Old Delhi. He was a poor sannyasi and had to beg for paper and printing and had to bring the paper himself and have it carried by rickshaw to the printers. He then read the print
transcendental (3)
Unscrupulous people go at once to the Tenth Canto, especially to the five chapters which describe the Lord’s rāsa dance. However, this portion of Śrīmad-Bhāgavatam is the most confidential part of that great literature. Unless one is thoroughly accomplished in the transcendental knowledge of the Lord, he is sure to misunderstand the Lord’s worshipable transcendental pastimes in the rāsa dance and the Lord’s love affairs with the gopīs. This subject matter is highly spiritual and technical, and
“This material world is certified by the Lord in the Bhagavad-gita as a dangerous place full of calamities. Less intelligent persons prepare plans to adjust to those calamities without knowing that the nature of this place is itself full of calamities. They have no information of the abode of the Lord, which is full of bliss and without trace of calamity. The duty of the sane person, therefore, is to be undisturbed by worldly calamities, which are sure to happen in all circumstances. Suffering
