Srimad-Bhagavatam - Canto 2 Chapter 4 Text 24
namas tasmai bhagavate
vasudevaya vedhase
papur jnanam ayam saumya
yan-mukhamburuhasavam
namah -- my obeisances; tasmai -- unto Him; bhagavate -- unto the Personality of Godhead; vasudevaya -- unto Vasudeva or His incarnations; vedhase -- the compiler of the Vedic literatures; papuh -- drunk; jnanam -- knowledge; ayam -- this Vedic knowledge; saumyah -- the devotees, especially the consorts of Lord Krsna; yat -- from whose; mukha-amburuha -- the lotuslike mouth; asavam -- nectar from His mouth.
TRANSLATION
I offer my respectful obeisances unto Srila Vyasadeva, the incarnation of Vasudeva who compiled the Vedic scriptures. The pure devotees drink up the nectarean transcendental knowledge dropping from the lotuslike mouth of the Lord.
PURPORT
In pursuance of the specific utterance vedhase, or "the compiler of the system of transcendental knowledge," Srila Sridhara Svami has commented that the respectful obeisances are offered to Srila Vyasadeva, who is the incarnation of Vasudeva. Srila Jiva Gosvami has agreed to this, but Srila Visvanatha Cakravarti Thakura has made a further advance, namely that the nectar from the mouth of Lord Krsna is transferred to His different consorts, and thus they learn the finer arts of music, dance, dressing, decorations and all such things which are relished by the Lord. Such music, dance and decorations enjoyed by the Lord are certainly not anything mundane, because the Lord is addressed in the very beginning as para, or transcendental. This transcendental knowledge is unknown to the forgotten conditioned souls. Srila Vyasadeva, who is the incarnation of the Lord, thus compiled the Vedic literatures to revive the lost memory of the conditioned souls about their eternal relation with the Lord. One should therefore try to understand the Vedic scriptures, or the nectar transferred by the Lord to His consorts in the conjugal humor, from the lotuslike mouth of Vyasadeva or Sukadeva. By gradual development of transcendental knowledge, one can rise to the stage of the transcendental arts of music and dance displayed by the Lord in His rasa-lila. But without having the Vedic knowledge one can hardly understand the transcendental nature of the Lord's rasa dance and music. The pure devotees of the Lord, however, can equally relish the nectar in the form of the profound philosophical discourses and in the form of kissing by the Lord in the rasa dance, as there is no mundane distinction between the two.
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