By investigating the knowledge and viewpoints in the many
topics found in Vedic culture we can certainly see that the
practice and utilization of this Vedic knowledge can indeed assist
us in many ways, even in this 21st century. In regard to all the
trouble we presently see in this world, maybe it is time to look at
things through a different and deeper view to find the answers and
directions that are so needed. The knowledge and understandings of
this great Vedic culture may indeed be what will help us see
through the fog of confusion that seems to envelope so much of
society.
What we find in Vedic culture are areas of study, progress and
expression that are as relevant today for human advancement as they
were hundreds or thousands of years ago. India and its Vedic
culture has contributed much to the world, such as its music,
beautiful forms of art and architecture, martial arts, astronomy,
holistic medicine in Ayurveda, and the mathematical system based on
the number ten, along with its yoga systems and philosophy. In the
United States, yoga has exploded into a three billion dollar
industry. A recent survey (at the time of this writing in 2005)
showed that 16.5 million people, or 7.5 percent of the United
States, are practicing yoga. Also, the Yoga Journal magazine has
grown from a circulation of 90,000 in 1998, to 170,000 in 2000, to
325,000 in 2005.
Vedic mathematics is another example of its contribution to
world progress. It is an ancient development that continues to play
an important part in modern society. Without the advancements in
math that had been established by Vedic culture as far back as 2500
BC and passed along to others, such as the Greeks and Romans, we
would not have many of the developments and inventions that we
enjoy today. The Greek alphabet, for example, was a great hindrance
to calculating. The Egyptians also did not have a numerical system
suitable for large calculations. For the number 986 they had to use
23 symbols. The Romans also were in want of a system of
mathematical calculations. Only after they adopted the Indian
system that was called “Arabic numerals” did they find what they
needed.
The difference was that Vedic mathematics had developed the
system of tens, hundreds, thousands, etc., and the basis of
carrying the remainder of one column of numbers over to the next.
This made for easy calculations of large numbers that was nearly
impossible in other systems, as found with the Greeks, Romans,
Egyptians and even Chinese. The Vedic system had also invented the
zero, which has been called one of the greatest developments in the
history of mathematics.
The numeral script from India is said to have evolved from the
Brahmi numerals. This spread to Arabia through traders and
merchants, and from there up into Europe and elsewhere. It became
known as the Arabic numerals, yet the Arabians had called them
“Indian figures” (Al-Arqan-Al-Hindu) and the system of math was
known as hindisat, or the Indian art.
Vedic culture already had an established mathematical system
that had been recorded in the Shulba Sutras. These are known to
date back to at least the 8th century BC.
The Shulba Sutras were actually a portion of a larger text on
mathematics known as the Kalpa Sutras. These and the Vedic
mathematicians were recognized for their developments in arithmetic
and algebra. Indians were the first to use letters of the alphabet
to represent unknowns. But they were especially known for what they
could do in geometry. In fact, geometrical instruments had been
found in the Indus Valley dating back to 2500 BC. Furthermore, what
became known as the Pythagorean theorem was already existing in the
Baudhayana, the earliest of the Shulba Sutras before the 8th
century BC. This was presented by Pythagoras around 540 BC after he
discovered it in his travels to India. So this shows the advanced
nature of the Vedic civilization.
The Vedic system of math, as explained in the sutras, also
reduced the number of steps in calculations to merely a few that
otherwise required many steps by conventional methods. Thus, this
ancient science is still worthy of study today.
A well-developed medical system was in existence well before
the 1st century A.D. Ayurveda is the Vedic system of holistic
medicine. It has become quite popular in the West and is continuing
to gain ground and acceptance. The word “Ayurveda”, translated from
Sanskrit, is composed of two words, ‘Ayus’ which means life and
‘Veda’ which denotes knowledge. So Ayurveda is the knowledge of
healthy living and is not only the treatment of diseases. Ayurveda
has twin objectives--maintaining the health of the healthy, and
cure illnesses of the diseased. The exact origin of Ayurveda is
lost in the mists of antiquity. Since Panini is placed at 7th
century BC and Ayurveda depicts non-Paninian Sanskrit grammar, it
is logical to place Ayurveda between 6th–10th Century BC.
Jyotish is the Vedic form of astrology, which is an ancient
science and is also being accepted and gaining popularity in the
West. Vedic Astrology is meant to help the individual better find
his or her way through life. It is to assist in discovering one’s
highest proclivities, personality, character, qualities and traits
and what may be one’s best direction for a career, and other
things. Thus a person will least likely waste one’s time in
unfulfilling activities, professions or pursuits.
Gemology is an important field in today’s market. But when we
speak of Vedic gemology, we do not mean that it is merely for
judging the value of a gem. The Vedic purpose in gemology is to
determine the best type of quality gem for a person to wear. Thus,
Vedic gemology worked in conjunction with Ayurveda and Jyotish to
establish the best gem a person should wear for health and positive
influence.
Vãstu is the Vedic science of architectural and home
arrangement. It made its way through the orient and became known as
Feng Shui, which has become popular in the West. However, Vastu is
a particular science that deals with the flow of energy through a
house or building for the highest benefits for those living or
working there. It is not enough to merely arrange a house so it
looks nice or that there is a good flow of energy through it. But
there is much that depends on the directions in which things are
facing or which parts of the building accommodate certain
activities.
Vedic art is another ancient development that still holds much
appreciation in modern times. Art in the Vedic tradition was never
a mere representation of an artist’s imagination. It was always a
vehicle to convey higher truths and principles, levels of reality
that may exist beyond our sense perception. It was always used to
bring us to a higher purpose of existence and awareness. In this
way, it was always sacred and beheld the sacred. Still today it is
used to allow others to enter into a transcendental
experience.
Vedic paintings or symbols are unique in that they can deliver
the same spiritual energy, vibration and insight that it
represents. In other words, through the meditation and devotional
mood of the artist, the art becomes a manifestation of the higher
reality. In this way, the painting or symbol becomes the doorway to
the spiritual essence contained within. They are like windows into
the spiritual world. Through that window we can have the experience
of darshan of the Divine or divinities, God or His associates.
Darshan is not merely seeing the Divine but it is also entering
into the exchange of seeing and being seen by the Divine.
As with art, dance in India was not merely an expression of an
artist’s emotional mindset or imagination, but was meant to be an
interpretation or conveyance of higher spiritual principles or
pastimes of the Divine. In fact, in the Vedic pantheon Shiva is
known as Nataraja, the king of dancers. Shiva’s dance was also not
without a more significant purpose. His dance was based on the
rhythm of cosmic energy that pervades the universe, and the
destruction of the illusory energy by which all souls are given the
opportunity for release from the illusion to attain liberation,
moksha.
In this way, traditional Indian dance is highly spiritual and
often accompanies important religious rituals and holy days and
festivals. Vedic dance goes back to prehistoric times. Bharata Muni
wrote his Natya Shastra, science of drama and dance, over 2000
years ago. In it he explains that it was Lord Brahma, the secondary
engineer of the universal creation, who brought dance (natya) and
drama to the people of Earth millions of years ago, shortly after
the Earth was created.
Now dance has evolved into a tradition involving various
schools and styles but with strict discipline. It is not uncommon
that Indian families will have their daughters spend at least
several years or more in such study and practice. In Vedic dance,
there is a precise method of postures, facial and hand gestures
(mudras), and movements, along with footwork that must be learned
and synchronized to the beat and music in order to convey specific
meanings, moods and stories to the audience. Many temples,
especially in South India, were known for maintaining large groups
of dancers that performed at festivals and religious
functions.
When the dance is performed according to the spiritual
standards, which some view as similar to the practice of yoga, even
the dancers can invoke a high degree of spirituality in their own
consciousness and bring unity between their inner selves and God.
Then the transcendental atmosphere can manifest and draw the Divine
to appear in the performers on stage. Thus, the environment becomes
transformed and the audience may also experience darshan of the
Divine and experience an inspiring upliftment in their own
consciousness. In this way, the dance is divine beauty in motion.
Or it is a way of invoking the spiritual dimension into our midst.
Few other forms of dance attempt to do this.
So, as we can see, Vedic culture and its many areas of
knowledge and devotional expression are still as relevant today as
it was thousands of years ago. And humanity can benefit from it by
introspection and in spiritual as well as material development as
it did in the past.
The power and relevancy of Vedic culture are found in the
number of tools it has always provided in order for humanity to
reach its fullest potentials, both as individuals who are searching
for their own fulfillment and spiritual awakening, and as a society
that can function in harmony with nature and cooperation amongst
themselves.
