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BRIDEGROOM.‏

While the bride and bridegroom were passing along on the chariot, there were different kinds of musical instruments playing to indicate the auspicious moment. There were conchshells, bugles, drums and kettledrums; combined together, they were vibrating a nice concert. The procession was passing very pleasingly, and Kaṁsa was driving the chariot, when suddenly there was a miraculous sound vibrated from the sky which especially announced to Kaṁsa: "Kaṁsa, you are such a fool! You are driving the chariot of your sister and your brother-in-law, but you do not know that the eighth child of this sister will kill you."
(Krsna Book).

According to Vedic convention, there are eight kinds of marriage. In the first-class marriage system, the parents of the bride and bridegroom arrange the marriage date. Then, in royal style, the bridegroom goes to the house of the bride, and in the presence of brāhmaṇas, priests and relatives, the bride is given in charity to the bridegroom.
(Krsna Book).

When King Bhīṣmaka learned that Damaghoṣa and his party were arriving, he left the city to receive them. Outside the city gate were many gardens where guests were welcome to stay. In the Vedic system of marriage, the bride's father receives the large party of the bridegroom and accommodates them in a suitable place for two or three days until the marriage ceremony is performed.
(Krsna Book).

During this strife between Balarāma and Rukmī, Lord Kṛṣṇa did not utter a word, for He knew that if He supported Balarāma, Rukmiṇī would be unhappy, and if He said that the killing of Rukmī was unjust, then Balarāma would be unhappy. Therefore, Lord Kṛṣṇa was silent on the death of His brother-in-law Rukmī on the occasion of His grandson's marriage. He did not disturb His affectionate relationship with either Balarāma or Rukmiṇī. After this, the bride and bridegroom were ceremoniously seated on the chariot, and they started for Dvārakā, accompanied by the bridegroom's party. The bridegroom's party was always protected by Lord Kṛṣṇa, the killer of the Madhu demon. Thus they left Rukmī’s kingdom, Bhojakaṭa, and happily started for Dvārakā.
(Krsna Book).

For the most part it was the practice of the kṣatriya kings to inaugurate some kind of fighting between the parties of the bride and bridegroom before the marriage. When Sāmba forcibly took away Lakṣmaṇā, the elder members of the Kuru dynasty were pleased to see that he was actually the suitable match for her.
(Krsna Book).

Duryodhana, being affectionate toward his daughter Lakṣmaṇā, had her married to Sāmba in great pomp. For her dowry, he first gave 1,200 elephants, each at least 60 years old; then he gave 10,000 nice horses, 6,000 chariots, dazzling just like the sunshine, and 1,000 maidservants decorated with golden ornaments. Lord Balarāma, the most prominent member of the Yadu dynasty, acted as guardian of the bridegroom, Sāmba, and very pleasingly accepted the dowry. Balarāma was very satisfied after His great reception from the side of the Kurus, and accompanied by the newly married couple, He started toward His capital city of Dvārakā.
(Krsna Book).

Nārada saw Lord Kṛṣṇa engaged in getting His sons and daughters married with suitable brides and bridegrooms in due course of time, and the marriage ceremonies were being performed with great pomp. In one palace the Lord was found bidding farewell to His daughters, and in another He was found receiving a daughter-in-law. People throughout the whole city were astonished to see such pomp and ceremonies.
(Krsna Book).

King Śālva was a great friend of Śiśupāla's. When Śiśupāla went to marry Rukmiṇī, Śālva was one of the members of the bridegroom's party. In the fight between the soldiers of the Yadu dynasty and the kings of the opposite side, Śālva was defeated by the soldiers of the Yadu dynasty. But, despite his defeat, he made a promise before all the kings that he would in the future rid the whole world of all the members of the Yadu dynasty. Since his defeat in the fight during the marriage of Rukmiṇī, he had maintained within himself an unforgettable envy of Lord Kṛṣṇa, and he was, in fact, a fool, because he had promised to kill Kṛṣṇa.
(Krsna Book).

Satyā addressed Draupadī in this way: “My dear Draupadī, my father arranged for an assembly for my svayaṁvara, and to test the strength and heroism of the prospective bridegrooms, he stipulated that they each fight with his seven ferocious bulls, which had long, sharp horns. Many heroic prospects tried to defeat the bulls, but unfortunately they were all severely struck, and they returned to their homes as defeated invalids. When Lord Śrī Kṛṣṇa came and fought with the bulls, they were just like playthings for Him. He captured the bulls and roped each one of them by the nostrils. Thus they came under His control, just as a goat's small kids come very easily under the control of children. My father was very much pleased and married me to Lord Kṛṣṇa with great pomp, giving as my dowry many divisions of soldiers, horses, chariots and elephants, along with hundreds of maidservants. Thus Lord Kṛṣṇa brought me to His capital city, Dvārakā.
(Krsna Book).

Lakṣmaṇā said, “My dear Queen, many times I heard the great sage Nārada glorifying the pastimes of Lord Kṛṣṇa. I became attracted to the lotus feet of Kṛṣṇa when I heard Nārada say that the goddess of fortune, Lakṣmī, was also attracted to His lotus feet. Since then I have always been thinking of Him, and thus my attraction for Him has increased. My dear Queen, my father was very affectionate toward me. When he understood that I was attracted to Kṛṣṇa, he devised a plan like that devised by your father: during the svayaṁvara, the prospective bridegrooms had to pierce the eyes of a fish with their arrows. The difference between the competition in your svayaṁvara and mine was that in yours the fish was hanging openly on the ceiling, in clear view, but in mine the fish was covered and could be seen only by its reflection in a pot of water. That was the special feature of my svayaṁvara.
(Krsna Book).

According to the Vedic system, when a girl is married, she is very profusely and gorgeously decorated with costly saris and jewelry, and during the marriage ceremony the bride circumambulates the bridegroom seven times. After this, the bridegroom and bride look at one another and become attracted for life. When the bridegroom finds the bride very beautiful, the attraction between them immediately becomes very strongly fixed. As stated in Śrīmad-Bhāgavatam, men and women are naturally attracted to one another, and when they are united by marriage that attraction becomes very strong. Being so strongly attracted, the bridegroom attempts to set up a nice homestead and eventually a good field for producing grains. Then children come, then friends and then wealth. In this way the male becomes more and more entangled in the material conceptions of life, and he begins to think, "This is mine," and "it is I who am acting." In this way the illusion of material existence is perpetuated. The words śukīm iva are also significant, for the fire-god Agni became attracted by the beauty of Śatadruti while she was circumambulating the bridegroom Prācīnabarhi, just as he had previously been attracted to the beauty of Śukī, the wife of Saptarṣi.
(Srimad Bhagavatam--------4:24:11--------purport).

Offerings of natural products such as betel nuts, bananas, newly grown wheat, paddy, yogurt and vermillion, carried by the citizens and scattered throughout the city, are all auspicious paraphernalia, according to Vedic civilization, for receiving a prominent guest like a bridegroom, king or spiritual master. Similarly, a welcome offered by unmarried girls who are internally and externally clean and are dressed in nice garments and ornaments is also auspicious.
(Srimad Bhagavatam--------4:24:4--------purport).

The custom of giving one's daughter in charity with a dowry is still current in India. The gifts are given according to the position of the father of the bride. Pāribarhān mahā-dhanān means the dowry which must be awarded to the bridegroom at the time of marriage. Here mahā-dhanān means greatly valuable gifts befitting the dowry of an empress. The words bhūṣā-vāsaḥ paricchadān also appear here. Bhūṣā means "ornaments," vāsaḥ means "clothing," and paricchadān means "various household articles." All things befitting the marriage ceremony of an emperor's daughter were awarded to Kardama Muni, who was until now observing celibacy as a brahmacārī. The bride, Devahūti, was very richly dressed with ornaments and clothing.

In this way Kardama Muni was married with full opulence to a qualified wife and was endowed with the necessary paraphernalia for household life. In the Vedic way of marriage such a dowry is still given to the bridegroom by the father of the bride; even in poverty-stricken India there are marriages where hundreds and thousands of rupees are spent for a dowry. The dowry system is not illegal, as some have tried to prove. The dowry is a gift given to the daughter by the father to show good will, and it is compulsory. In rare cases where the father is completely unable to give a dowry, it is enjoined that he must at least give a fruit and a flower. As stated in Bhagavad-gītā, God can also be pleased even by a fruit and a flower. When there is financial inability and no question of accumulating a dowry by another means, one can give a fruit and flower for the satisfaction of the bridegroom.

(Srimad Bhagavatam--------3:22:23--------purport).

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