The kṣatriya system of marriage, still current in India, dictates that when a kṣatriya is married, a few dozen of the bride's young girlfriends (in addition to the bride) go to the house of the king. The followers of the queen are called maidservants, but actually they act as friends of the queen. This practice is prevalent from time immemorial, traceable at least to the time before the advent of Lord Kṛṣṇa 5,000 years ago. So Vasudeva brought home another 200 beautiful girls along with his wife Devakī.
(Krsna Book).

While the bride and bridegroom were passing along on the chariot, there were different kinds of musical instruments playing to indicate the auspicious moment. There were conchshells, bugles, drums and kettledrums; combined together, they were vibrating a nice concert. The procession was passing very pleasingly, and Kaṁsa was driving the chariot, when suddenly there was a miraculous sound vibrated from the sky which especially announced to Kaṁsa: "Kaṁsa, you are such a fool! You are driving the chariot of your sister and your brother-in-law, but you do not know that the eighth child of this sister will kill you."
(Krsna Book).

According to Vedic convention, there are eight kinds of marriage. In the first-class marriage system, the parents of the bride and bridegroom arrange the marriage date. Then, in royal style, the bridegroom goes to the house of the bride, and in the presence of brāhmaṇas, priests and relatives, the bride is given in charity to the bridegroom. Besides this, there are other systems, such as the gāndharva and rākṣasa marriages. Kṛṣṇa married Rukmiṇī according to the rākṣasa system, kidnapping her in the presence of His many rivals, like Śiśupāla, Jarāsandha and Śālva. While Rukmiṇī was being given in charity to Śiśupāla, Kṛṣṇa snatched her from the marriage arena exactly as Garuḍa snatched a pot of nectar from the demigods.
(Krsna Book).

In the Vedic system of marriage, the bride's father receives the large party of the bridegroom and accommodates them in a suitable place for two or three days until the marriage ceremony is performed. The party led by Damaghoṣa contained thousands of men, among whom the prominent kings and personalities were Jarāsandha, Dantavakra, Vidūratha and Pauṇḍraka. It was an open secret that Rukmiṇī was meant to be married to Kṛṣṇa but that her elder brother Rukmī had arranged her marriage to Śiśupāla.
(Krsna Book).

As Rukmiṇī proceeded toward the temple, she was silent and grave. Her mother and her girlfriends were by her side, and the wife of a brāhmaṇa was in the center; surrounding her were royal bodyguards. (This custom of a would-be bride's going to the temple of a demigod is still practiced in India.) As the procession continued, various musical sounds were heard. Conchshells, drums such as paṇavas, and bugles of different sizes, such as tūryas and bherīs, combined to make a sound which was not only auspicious but very sweet to hear.
(Krsna Book).

First of all he gave them 10,000 cows and 3,000 well-dressed young maidservants, ornamented up to their necks. This system of dowry is still current in India, especially for kṣatriya princes. When a kṣatriya prince is married, at least a dozen maidservants of similar age are given along with the bride. After giving the cows and maidservants, the King enriched the dowry by giving 9,000 elephants and a hundred times more chariots than elephants. This means that he gave 900,000 chariots.
(Krsna Book).

Besides Kuntīdevī, Kṛṣṇa had another paternal aunt; her name was Śrutakīrti, and she was married and lived in Kekaya Province. She had a daughter whose name was Bhadrā. Bhadrā wanted to marry Kṛṣṇa, and her brother handed her over to Him unconditionally. Kṛṣṇa accepted her as His bona fide wife. Thereafter, Kṛṣṇa married a daughter of the King of Madras Province. Her name was Lakṣmaṇā. Lakṣmaṇā had all good qualities. She was also forcibly married by Kṛṣṇa, who took her in the same way that Garuḍa snatched the jar of nectar from the hands of the demigods. Kṛṣṇa kidnapped this girl in the presence of many other princes in the assembly of her svayaṁvara. The svayaṁvara is a ceremony in which thebride can select her own husband from an assembly of many princes.
(Krsna Book).

During this strife between Balarāma and Rukmī, Lord Kṛṣṇa did not utter a word, for He knew that if He supported Balarāma, Rukmiṇī would be unhappy, and if He said that the killing of Rukmī was unjust, then Balarāma would be unhappy. Therefore, Lord Kṛṣṇa was silent on the death of His brother-in-law Rukmī on the occasion of His grandson's marriage. He did not disturb His affectionate relationship with either Balarāma or Rukmiṇī. After this, the bride and bridegroom were ceremoniously seated on the chariot, and they started for Dvārakā, accompanied by the bridegroom's party. The bridegroom's party was always protected by Lord Kṛṣṇa, the killer of the Madhu demon. Thus they left Rukmī’s kingdom, Bhojakaṭa, and happily started for Dvārakā.
(Krsna Book).

For the most part it was the practice of the kṣatriya kings to inaugurate some kind of fighting between the parties of the bride and bridegroom before the marriage. When Sāmba forcibly took away Lakṣmaṇā, the elder members of the Kuru dynasty were pleased to see that he was actually the suitable match for her. In order to see his personal strength, however, they fought with him, and without respect for the regulations of fighting, they all arrested him.
(Krsna Book).

Somewhere Lord Kṛṣṇa was found discussing the ultimate auspicious activity for the entire human society with His elder brother, Lord Balarāma. Nārada saw Lord Kṛṣṇa engaged in getting His sons and daughters married with suitable brides and bridegrooms in due course of time, and the marriage ceremonies were being performed with great pomp. In one palace the Lord was found bidding farewell to His daughters, and in another He was found receiving a daughter-in-law. People throughout the whole city were astonished to see such pomp and ceremonies.
(Krsna Book).

The custom of giving one's daughter in charity with a dowry is still current in India. The gifts are given according to the position of the father of the bride. Pāribarhān mahā-dhanān means the dowry which must be awarded to the bridegroom at the time of marriage. Here mahā-dhanān means greatly valuable gifts befitting the dowry of an empress. The words bhūṣā-vāsaḥ paricchadān also appear here. Bhūṣā means "ornaments," vāsaḥ means "clothing," and paricchadān means "various household articles." All things befitting the marriage ceremony of an emperor's daughter were awarded to Kardama Muni, who was until now observing celibacy as a brahmacārī. The bride, Devahūti, was very richly dressed with ornaments and clothing.
(Srimad Bhagavatam-----3:22:23--------purport).

According to the Vedic system, when a girl is married, she is very profusely and gorgeously decorated with costly saris and jewelry, and during the marriage ceremony the bride circumambulates the bridegroom seven times. After this, the bridegroom and bride look at one another and become attracted for life. When the bridegroom finds the bride very beautiful, the attraction between them immediately becomes very strongly fixed. As stated in Śrīmad-Bhāgavatam, men and women are naturally attracted to one another, and when they are united by marriage that attraction becomes very strong.
(Srimad Bhagavatam-----3:24:11--------purport).

While taking Devayānī out of the well, King Yayāti must certainly have appreciated her youthful beauty, and therefore he might have asked her which caste she belonged to. Thus Devayānī would have immediately replied, "We are already married because you have accepted my hand." Uniting the hands of the bride and bridegroom is a system perpetually existing in all societies. Therefore, as soon as Yayāti accepted Devayānī's hand, they could be regarded as married. Because Devayānī was enamored with the hero Yayāti, she requested him not to change his mind and let another come to marry her.
(Srimad Bhagavatam-----9:18:20-21--------purport).